The Story of a Dance
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Köp båda 2 för 616 kr"This book counters the monolithic notions of who the 'postmodern' dancers are. As Lamb at the Altar identifies the contemporary work of an artist usually associated with the Judson Dance Theater of the 60s it reveals someone who has evolved, gained a new but no less creative maturity, and who now sees her work very differently than in those old days of protest and rebellion. The intertextual format is engaging, multifaceted, and modern, probably like the dance itself."-Marcia B. Siegel, author of Tail of the Dragon: New Dance, 1976-1982 "This is a remarkable and wonderful text whose publication will benefit the dance community enormously. It contributes crucial new dimensions to the process of documenting both dancing and dance-making. It breaks new ground as writing about the choreographic process, and at the same time, it reflects beautifully on the work of an exceptional artist."-Susan L. Foster, author of Reading Dancing
Born in Brooklyn in 1941, Deborah Hay began her career with the Judson Dance Theater and the Merce Cunningham Dance Company in the 1960s. In the early 1970s she created a series of Ten Circle Dances, which were collected in the book Moving through the Universe in Bare Feet. Since 1976 she has lived in Austin, Texas, where she conducts annual large-group workshops, each lasting four months and culminating in public performances. She has performed and taught workshops in Europe, Canada, Mexico, Australia, and throughout the United States.