New Deal Photography. USA 19351943 (inbunden)
Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
608
Utgivningsdatum
2016-05-23
Upplaga
Multilingual ed
Förlag
Taschen GmbH
Originalspråk
German
Dimensioner
200 x 150 x 45 mm
Vikt
1192 g
Antal komponenter
1
Komponenter
Hardcover
ISBN
9783836537117

New Deal Photography. USA 19351943

USA 1935-1943

(2 röster)
Inbunden,  Engelska, 2016-05-23
252
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Through these travels and the photographs, I got to love the United States more than I could have in any other way. Jack Delano Amid the ravages of the Great Depression, the United States Farm Security Administration (FSA) was first founded in 1935 to address the countrys rural poverty. Its efforts focused on improving the lives of sharecroppers, tenants, and very poor landowning farmers, with resettlement and collectivization programs, as well as modernized farming methods. In a parallel documentation program, the FSA hired a number of photographers and writers to record the lives of the rural poor and introduce America to Americans. This book records the full reach of the FSA program from 1935 to 1943, honoring its vigor and commitment across subjects, states, and stylistic preferences. The photographs are arranged into four broad regional sections but otherwise allowed to speak for themselvesto provide individual impressions as much as they cumulatively build an indelible survey of a nation. The images are both color and black-and-white, and span the complete spetrum of American rural life. They show us convicts, cotton workers, kids, and relocated workers on the road. We see subjects victim to the elements of nature as much as to the vagaries of the global economic market. We find the work of such perceptive, sensitive photographers as Marion Post Wolcott, Jack Delano, Russell Lee, Walker Evans, Ben Shahn, and Dorothea Lange, and read their own testimonies to the FSA project and their encounters with their subjects, including Langes worn, weather-beaten and iconic Migrant Mother. What unites all of the pictures is a commitment to the individuality and dignity of each subject, as much as to the witness they bear to this particular period of the American past. The subjects are entrenched in the hardships of their historical lot as much as they are caught in universal cycles of growing, playing, eating, aging, and dying. Yet they face the viewer with what is utterly their own: a unique, irreplaceable, often unforgettable presence.
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a comprehensive survey of the work done by the FSA, including that more rarely seen color work. From street scenes to pictures of field laborers and train yards, these images show us what the United States looked like in a bygone era, one rife with economic struggle. * washingtonpost.com *

Övrig information

Peter Walther has edited various publications on literary, photographic, and contemporary historical themes, including books on Goethe, Fontane, Thomas Mann, Hans Fallada, and writers in the First World War, as well as several illustrated books with historical color photographs. He is the author of the TASCHEN publications The First World War in Colour (2014), New Deal Photography. USA 19351943 (2016) and Anna Atkins. Cyanotypes (2023).