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Köp båda 2 för 540 krAnnika hrner is a Senior Lecturer at the Department of Art History,
School of Culture and Education, Sdertrn University. In 2010, she
defended her dissertation Barbro stlihn & New York, at Uppsala University,
published by Makadam. It deals with a painter who worked in
New York in a neo-avantgarde context, as well as with issues of transfer of
American pop art to Sweden. Her research scope also includes the classical
avant-garde. hrner was Dean of the Valand Academy, Faculty of Fine,
Applied and Performing Arts, Gothenburg University, 1996-2001. She has
curated numerous exhibitions, for example retrospectives of Meret
Oppenheim (2004) and Siri Derkert (2011) at the Moderna Museet,
Stockholm. hrner is working presently within the research project Art,
culture, conflict: transformations of museums and memory culture in the
Baltic Sea region after 1989, funded by The Foundation for Baltic and East
European Studies.
Introduction - Annika hrner
Why Were There No Great Pop Art Curatorial Projects in Eastern Europe in the 1960s? - Piotr Piotrowski
Part 1: Exhibitions, Encounters, Rejections
1. Contemporary Polish Art Seen Through the Lens of French Art Critics Invited to the AICA Congress in Warsaw and Cracow in 1960 - Mathilde Arnoux
2. "Be Young and Shut Up": Understanding France's Response to the 1964 Venice Biennale in its Cultural and Curatorial Context - Catherine Dossin
3. The "New York Connection": Pontus Hultn's Curatorial Agenda in the 1960s - Hiroko Ikegami
4. On the Construction of Pop Art: When American Pop Arrived in Stockholm in 1964 - Annika hrner
5. Pop Art at the Frontline of the Cold War: Ren Block's "Capitalist Realism" in 1960s West Berlin - Hannah Abdullah
Part 2: Works, Practices, Movements
6. yvind Fahlstrm's Impure Pop in a World of Impure Cold War Politics - Sophie Cras
7. AnthroPOPhagous: Political Uses of Pop Art in the Aftermath of the Brazilian Military Coup d'tat of 1964 - Oscar Svanelid
8. Personalising the Global History of Pop Art: Alina Szapocznikow And Maria Piniska-Bere - Agata Jakubowska
9. The Domestic Paradox - Katarina Wadstein MacLeod
10. Collective Modernism: Synthesising the Arts, Engaging in Society - Hkan Nilsson
11. Terminology in the Making: Pop and Minimalism in the 1960s - Tania rum
12. Pop Beyond Pop: Some Exhibitions of the Hungarian "Iparterv-Circle" - Dvid Fehr